Commencement by Deadsy (2002)

is a band I had never heard of until I bought a and played the freebie game that came with it, Offroad Fury 2. A song by Deadsy titled Gramercy Park was part of the game’s soundtrack and after hearing it over and over I had to find out who they were. Fortunately, the The Edmonton Public Library has a copy of the CD Commencement, on which Gramercy Park was released.

Deadsy has an interesting sound, heavy on synthesizers and somewhat goth. There is a heavy sound of a distorted guitar the provides a lot of base that is very attractive. I liked every track on Commencement except for Commencement itself and Le Curque En Rose.

N.B. The song is named for a private park in New York City for which keys are given to the tenants of local buildings.

Flowers in the Garden

I spent an hour taking of around my yard. My wife has provided some really pretty flora this year! Here are the pictures.

wild rose A which happens to be the official flower of . This picture was, in fact, not taken in our garden but on my brother‘s acerage.

unidentified yellow flower An unidentified yellow flower that Kim thinks might be or something related.

Angel's Trumpet Seed Pod An seed-pod. This is a very poisonous plant!

Milk Weed Kim thinks this is but we are not sure. This photo was also taken on my brother’s acerage.

Pansy A .

Dwarf Sunflower An . While the lighting was great, sadly this plant is in front of an ugly compost bin. I tried to throw the background out of focus by shortening the depth of field but didn’t have much luck.

Bleeding Heart A . The plant was in rough shape but I managed to find a healthy part or two to photograph.

Eastern Standard Tribe by Cory Doctorow (2004)

I just finished reading Eastern Standard Tribe a novel by Cory Doctorow. It is a story set in the not too distant future. It is told in first-person from the perspective of Art, a UE () consultant who is also a member of a “tribe” of chatters who allie with one another based solely on the timezone they live in. Hence the title Eastern Standard Tribe (EST). The story revolves around the work Art does for a ficitional future version of the , his involvement with EST, a girl he meets, and an insane asylum in which he ends up.

The novel begins in the middle of the story, with Art explaining his current dilemma. Art is stuck on the roof of an insane asylum in his underwear. He then flashes back to the beginning of the story where Art explains how the whole mess began. After that the novel progresses by moving these two threads forward in alternating chapter. This method works effectively enough, with only the occaisional confusing inter-chatper transition for the reader. It is especially effective because Art is a member of EST; he lives his life on eastern standard time. But Art is physically in England with a day job. He lifestyle demands that he rarely sleep for more than an hour or so and he is living in the kind of blur known only to insomniacs. The back-and-forth flashback story telling puts the reading in touch with the feeling of never ending flow of events that the protagonist must feel.

The story is very entertaining and keeps the reading involved. It has only a few rough spots. The beginning is a bit confusing because it almost reads like commentary by the author. I was sure I reading an introduction to the text for the first 10 minutes, and then realized I was reading the actual first chapter. The end seems to drag out a bit but not painfully so. There also seems to be a missing chapter (how does Art get from the English train station back to North America at the end?).

I found this a bit reminiscent of the work of William Gibson but not overly so. Gibson’s style is more sophisticated. He weaves multiple characters and plots together chapter after chapter. This novel splits one plot into two halfs and weaves them back together and focuses on a single character but the effect on the reader is similar. You get the sense that you are re-meeting the character over and over. Another similarity to Gibson’s writing is the character is a lowlife/underworld figure that is still sympathetic partly due to a “super-power.” Art considers himself a double-agent trying to ruin business outside his beloved EST time-zone. He has two super-powers the first of which is his ability to argue and the second is his ability to identify new “user experiences” that can immediately become reality (probably the biggest stretch of science fiction in the entire story).

The novel is unbalanced in the portrayal of both of Art’s most defining qualities. At the beginning Art is a great arguer and set on his double-agent lifestyle. As the novel progresses we lose, in both the past and current threads of the story, the sense that he is good at argueing and that he is determined to sabotage the GMT time-zone. Instead he becomes a savior of the end-user confounded in most argument and reduced to clumsy neurolignuistic programming. This lack of change in character is quite continuous and not at all confusing probably due to the story being told in the two threads (past and current).

Overall this was an enjoyable novel. I take away no profound lessons or insights, but I do wish people would adopt Doctorow’s single word for phone, laptop, computer, email, etc. He calls it simple “comm.” As in, “can I use your comm?” or “did you comm him?”

Eastern Standard Tribe is available from your local public library, bookstores, or for free from Cory Doctorow’s website.

The Spy Who Came In From The Cold by John Le Carre, 1963

Cover Art for The Spy Who Came In From the Cold I recently re-read Le Carre’s The Spy Who Came in From the Cold. I read this several years ago but I had thought it was a different novel. As I re-read it this time I kept thinking, this has a remarkably similar plot to a novel by . I spent many hours searching for information on how two novelists could write such similar novels. In the end it turned out that my memory was faulty and I had just read Le Carre’s book twice.

The Spy Who Came in From the Cold is the tale of a aging spymaster, set during the cold-war, whose luck has turned bad and seeks revenge against his nemisis. The protagonist is Alec Leamas, head of Britain’s Berlin desk. He runs a ring of spies who operate out of East Berlin. But Alec has a problem: as the story begins, the last of his spies is killed off. Alec’s nemisis is a Russian/East German named Mundt who has uncovered and killed each of Alec’s assets one-by-one. Alec’s bosses give him the opportunity to get revenge by becoming a double-agent. What unfolds is an interesting plot where the reader is never quite sure who is on who’s side.

The first time I read The Spy I believed I was reading a Deighton novel, and I remember at the time thinking about how rough it was compared to his others. It lacked the details that build a rich world in which the reader can get lost. After a second reading this is true, but of course I now see that it isn’t a rough Deighton novel, it is just a different author. The Spy is a novel that is essentially narration. The characters, even the protagonist and villians, are flat. For example, to convey that the protagonist is strong, Le Carre simply states that he is strong, that he has a strong neck and body. At times it reads more like a screenplay than a novel.

The saving grace is plot. It is intriguing and worthy of this book’s reputation.

The Spy is considered by many to be Le Carre’s best novel, while I have not read his other novels, I would guess that reputation is based on two strengths. First, the plot is a great example of the type of intrigue esponiage fans expect. As a reader you are never sure who is on what side, and you develop a healthy sense of paranoia which is both rewarded and invalidated at times. Second, the novel conveys that “cold-war espionage” feeling common to dramatic works from this genre set in post-world-war-II Europe. There is a certain feeling that the reader gets about the people and politics in Europe due to the tensions surrounding the division of Germany. Overall I liked the novel but it doesn’t rank as high as similar works by Len Deighton. I’d be compelled to see the movie version.

Note: Both the novel and movie are available from the Edmonton Public Library.

Digital Cameras and Depth of Field

I find it difficult to get a short using my . On a normal (film) camera, I would choose a low f-stop (large aperature) to achieve a short depth of field. It turns out that digital cameras will produce a much larger depth of field for the same as a film camera. This is great news if you do landscape photography but bad news if you do portraits. There is however a way to achieve shorter depth of field using a digital camera.

The trick is to use a zoom lens and zoom in on your subject as much as possible. You may have to move further away from your subject to frame the shot they way you want, but you will now find that you can get a the background and/or foreground out of focus but your subject in focus.

Wikipedia explains Depth of field nicely. It refers to which objects will be in focus when you take your picture. A large depth of field means that objects close to you and objects far from you will be in focus. Short depth of field means that only objects a specific distance from you will be in focus.

Several people have written explainations of how digital cameras generally have larger depth of field than film cameras.